The second work “The Truth” (2006) is an ongoing series of collages of Polaroid photographs. This series questions the photography as original document.Morell’s collages plays with the theme truth/fiction: The characteristic of the Polaroid is that it is the only classical photography that displays the (analogue) truth in an instant. The reality and the exposure cannot be manipulated afterwards. Only the sunlight can significantly fade the Polaroid print. Only via the different light sources and the intensity hereof is it possible to vary the content of the exposure of the motives. In his studio in Berlin Morell is investigating the different lighting sources with different filters and their effects of light intensity thereby playing with the means of authenticity, originality, source, morphing in the collage works. Furthermore there’s a dialogue between the themes of exposure of truth, authenticity of painting, the historical position of painting and the relationship between photography and painting.